Jason Bourne

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I need to preface this review with the fact that I absolutely love the original Bourne films. They are amongst some of my favourite films ever, and I firmly believe that The Bourne Ultimatum is the best spy-action-thriller film I have ever seen. So, with that, I was quite excited when it was announced that Matt Damon and Paul Greengrass were going to be returning to the franchise.

After the failed expansion of the franchise with 2012’s ‘The Bourne Legacy’, ‘Jason Bourne’ was supposed to be a return to the glorious films of the original trilogy. Alas, this is not what we got with the fifth film in the series.

Matt Damon was a great Jason Bourne during the 2000’s, but he was not able to fully recapture that spark in a film that turned out to be a bit of a bore and one that dragged during a story of cyber-sleuthing in the modern age.

But most of this is a direct result of how far from the books the films have strayed, and also from the corner that ‘The Bourne Ultimatum’ put the franchise into with the ending that it provided. There really was no way to bring Damon’s Bourne back after ‘Ultimatum’ but they tried and gave us a subpar storyline in doing so.

I will say that Paul Greengrass does a remarkable job of giving us some action-y fight scenes and also gives us possibly his strongest car chase scene that he has (still not the best in the series though), but the filming was not enough to make up for the story we were given.

That being said, at least the story tried to be topical to today’s society, with the fear of the government spying on us and using our own technology to do it. ‘Jason Bourne’ did a decent job of presenting a scenario that most viewers could at least understand on some level, even if for some of those viewers it was just a way to provide examples for their own paranoia.

In the end, we can now only wait for the inevitable reboot, or retooling of the character and the franchise, and I for one will hope to finally see a Bourne film where he hunts down The Jackal, true to the original stories, and a storyline that if they had followed it in the films, could have provided a reason for a return to the character at least.

As always, for all this and more, feel free to follow me on Twitter at @kymayer. Cheers all.

The Martian

themartianAs I have grown older, I have noticed that my taste in films has also changed, heading to, over the years, more adult based fare. Now, I guess that this is probably quite normal, but in the past couple of years, I have really found myself drawn to certain kinds of films, and the newest on that list is ‘The Martian’.

I need to preface this by saying that I, for the most part, really enjoy Matt Damon as an actor and think that the majority of Ridley Scott directed films are top notch, so much so that I place Scott in the top echelon of film makers today. With the combo of the two involved, I really had high hopes for ‘The Martian’, and I am happy to say that it delivered on the mark.

The not-so-distant future setting of ‘The Martian’ allows it to come off as something that we can actually believe as reality, and unlike 2014’s “Interstellar’, this film was able to pull off a whole other level of realism and convincing us that a singular human, stranded on a barren planet, could actually survive, and that is exactly what Ridley Scott does with this adaptation of Andy Weir’s novel of the same name.

That being said, the star of this film is and always will be Matt Damon. Damon, he of the face on a poster type of movie star, allows you to get inside the head of his character, Mark Watney. Watney, a botanist, comes across as a likeable every man, even if he is a pretty intelligent one at that.

The supporting cast for ‘The Martian’ is fleshed out with amazing actors and actresses from Jeff Daniels to Jessica Chastain and Chiwetel Ejiofor. To see these names filling out their characters just goes to show the quality of this film. Each of the supporting characters has reason to be there and a key role to play in the main arc of getting the stranded astronaut home.

The visuals for this film, when needed, are near perfect for the kind of story that Ridley Scott was looking to tell, which you would expect nothing less from the man that brought us other breath taking films like ‘Gladiator’ and ‘Kingdom of Heaven’, to say nothing of his other sci-fi work over the years.

At the end of the day, what we get is a film that tells a wonderful story, keeps you on the edge of your seat in doing so, and does it without ever feeling like the 141 minutes it is. ‘The Martian’ is an amazing film, well worth its Oscar nomination for Best Picture and Matt Damon shows us why he will one day win a Best Actor Oscar after securing his second ever nomination in this film.

Also, something new for you all on this review, I am going to start a ranking of the films that I review, and for ‘The Martian’, it gets 4 1/2 Martian potatoes out of 5.

Thanks for reading all and bearing with me while I go through some spurts of not getting these reviews out. As always, for all this and more, feel free to follow me on Twitter at @kymayer and cheers!!!

The Monuments Men

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‘The Monuments Men’ was the second film of this year that made my Ten to Watch list, and for the second time this year, I left a film wanting more. Unlike most other films though, it is actually difficult to pin down exactly what was missing in ‘The Monuments Men’.

Directed by George Clooney and starring Clooney along with Matt Damon, Bill Murray, John Goodman and Cate Blanchett, ‘The Monuments Men’ tells the story of a special unit in World War II tasked with trying to preserve important works of art in Europe.

The bottom line with ‘The Monuments Men’ as someone watching it, is that it is hard to figure out if you should treat this as a comedy with dramatic overtones, or a drama with jokes sprinkled within.

While, for the most part, I enjoyed this film, at times it seemed to be quite slow at times and that took me out of the film.  The tough part about this is that as I think back on it, it seems that it would be a little difficult to change much of the film from the cut that we ended up with.

The one thing that I absolutely loved with ‘The Monuments Men’ was the unique take on telling a World War II film.  Not focusing on the fighting or the plotting, this film really highlighted something that most people would not even be aware of: the Nazi theft of paintings, sculptures and other art from throughout western Europe.

I loved the story, but in the end the acting and the directing were subpar, which is much to the detriment to a story that truly needs to be told so that people everywhere can be aware of the lesser known sacrifices of war.

As always, for all this and more, feel free to follow me on Twitter at @kymayer.  Cheers.

Fall 2013 Season – Part Two

I don’t know if it is due from just getting older and as a result being more open to films beyond raunchy comedies and big-budget popcorn flicks, or if my tastes are changing, or if I am actively seeking out more types of films and being open to them, but with each passing year I manage to find additional levels of enjoyment from award caliber fare later in the calendar year.

As a result of this, the following article is full of eleven different award season fodder that under normal circumstances, will be on my viewing list before the end of January, and this list contains only one film that I know for sure would have made my list just two to three years ago.

This is also a sign for movie audiences everywhere on two different fronts.  First off, more big name directors and big name actors and actresses are willing to do smaller, character driven films that have enough entertainment value for the general masses.  Secondly, bigger metroplexes in more markets, and even smaller cities, are willing to bring these films in knowing that it will draw audiences to increase profits.  These two things lead off into numerous films on this list.

The ten films that follow are the larger films that are already garnering award buzz, be it for Best Picture, Best Director, Best Actor or Best Actress awards, and these are the eleven films that most people will have the opportunity to see before the Golden Globes are held in January.

Rush – September 27

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The only film on this list that I will 100% see, ‘Rush’ tells the story of the famed 1976 Formula One season and the race for the title between Englishman James Hunt and Austrian Niki Lauda and the horrific crash that Lauda suffered during the German Grand Prix of that season.

Directed by Ron Howard and starring Chris Hemsworth and Daniel Bruhl, ‘Rush’ seems poised to push Hemsworth beyond his role as Thor and into the light as an actor to deal with moving forward.

Gravity – October 4

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Initially put forth as a true 3D event film, in the same vein as last year’s ‘Life of Pi’, ‘Gravity’ may be one of Hollywood’s last gasps to sell a film as must see in the format that has been shunned for the most part in North America this year.  From director Alfonso Cuaron, ‘Gravity’ appears to tell the story of astronauts being stranded in space.

In order to get the best feel for the film, many people are avoiding watching trailers and TV spots featuring stars Sandra Bullock and George Clooney floating away in space, and as a result of not furthering plot points in these scenes, the average theatre goer may wind up passing on this film, but much like ‘Life of Pi’, it could be a mistake waiting to happen to pass on it.

Captain Phillips – October 11

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Tom Hanks was one of the most bankable actors of the mid to late 1990’s, and with back-to-back Best Actor Oscar wins for ‘Philadelphia’ and ‘Forrest Gump’ and two further nominations for ‘Saving Private Ryan’ and ‘Cast Away’, Hanks practically owned Hollywood at the turn of the millennium.  While his time since than has been more miss than hit, it appears that ‘Captain Phillips’ may be a turning back the clock so to speak.

Based on a true story, a running theme in this years films that are chasing the award’s season, ‘Captain Phillips’ will feature a defiant Hanks in a bit of an isolationist role, something right in his wheelhouse, and we may end up seeing a sixth career Best Actor nod from this film.

The Fifth Estate – October 18

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Featuring one of the hottest names in films today, Benedict Cumberbatch, ‘The Fifth Estate’ tells the story of WikiLeaks founder Julian Assange and his exploits in becoming one of the most infamous men in the world.  Featuring Daniel Bruhl in his second appearance on this list as Assange’s right-hand man and author of the book that the film itself is being partly based on.

That being said, due to the nature of the film and the fact that is based around a whistle-blower, it may wind up not being able to live up to its own hype, and a quick look at the current Rotten Tomatoes score for the film seems to back up that line of thinking.

12 Years a Slave – October 18

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If there is a film that could be considered a heavy runaway contender for most awards this season, ’12 Years a Slave’ would be sure to be that film.  Based on the real-life re-tellings of Solomon Northup, ’12 Years a Slave’ tells the story of a freeman kidnapped and sold into slavery in the American South before the Civil War.

Directed by Steve McQueen and starring Chiwetel Ejiofor as Solomon Northup, and a slew of name actors in other roles, such as Michael Fassbender, Benedict Cumberbatch and Brad Pitt, ’12 Years a Slave’ sure seems to be the go-to film for critics ahead of its limited release in mid-October.  Whether that steam continues for average theatre goers or not, this film is sure setup to win hearts and trophies.

The Wolf of Wall Street – November 15

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Another year, another highly anticipated film that might finally give Leonardo DiCaprio his sought after Oscar.  That is what ‘The Wolf of Wall Street’ carries with it this year.  While the film also features actors like Jonah Hill and Matthew McConaughey, expect DiCaprio to be the centre of attention of the marketing for this film, especially considering it is directed by Martin Scorsese, and the history between the two.

Whether or not this film can finally get DiCaprio the long elusive Oscar for Best Actor will be one of the key drivers and selling points moving forward, especially if it is having a healthy run in the theatres when nominations begin to be announced.

The Monuments Men – December 18

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I am a sucker for war movies, and ‘The Monuments Men’ seems to be right up that alley, yet with a nice twist to separate it from the pack.  Set during World War II, this film features a group of allies trying to preserve works of art and other culturally relevant items from the hands of Hitler and the Nazis.

Based on true events, ‘The Monuments Men’ will be another testament to the wide range of great actors in Hollywood today, with the likes of George Clooney, Matt Damon, Bill Murray and John Goodman putting on the fatigues to fight an important cause during the war years.

Inside Llewyn Davis – December 20

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The latest film from the Coen Brothers, ‘Inside Llewyn Davis’, features another star-studded cast in a film built around the 1960’s folk music scene.  Featuring the talents of Oscar Davis, John Goodman, Carey Mulligan and Justin Timberlake, ‘Inside Llewyn Davis’ is bound to be one of the harder to predict how it will do.

The reason for that is that it could be a quieter film due to the plot and the store, but the film also managed to win the Grand Prix award at Cannes this year, and that could cancel out the other aspects of the film.

The Secret Life of Walter Mitty – December 25

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It appears that ‘The Secret Life of Walter Mitty’ is Ben Stiller’s attempt to enter the serious part of his career.  As director and lead actor of the film, Stiller is definitely trying to show off that he has some real acting ability, and judging by the trailer that was released for the film, it will be hard to argue that he isn’t pulling it off.

While a story of a daydreamer has been done before, specifically a film of the same name all the way back 1947, a serious tone to the film could be quite the interesting take in the Christmas time period that Hollywood loves for serious award contenders.

American Hustle – December 25

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Last year’s ‘Silver Linings Playbook’ from director David O. Russell was one of my favourite films of 2012, and Russell is back with ‘American Hustle’ this year.  Starring Christian Bale, Amy Adams and two of Russel’s favourites in Bradley Cooper and Jennifer Lawrence, who  both received Oscar nomination for ‘Playbook’ last year, ‘American Hustle’ takes a look at greed and corruption in 1970’s America.

‘Playbook’ was the first film since 1981 to garner nominations in all four acting categories at the Oscar’s, and with the cast present in ‘American Hustle’, there is no reason to think it can’t duplicate the feat, and a repeat of ‘Playbook’s big five nominations is quite possible as well.

There are definitely more films that will be considered as award season contenders, but this is just a quick list of the ones that most people will end up having come to their theatres this fall and holiday season.  Leading up to the Golden Globes and the Oscar’s, anyone of these ten films could become a front runner.

For all this and more, feel free to follow me on Twitter at @kymayer.  Cheers.

Elysium

elysium‘Elysium’ is the last gasp for the Sci-Fi genre at the 2013 box office, and while an ambitious first foray into Hollywood for ‘District 9’ director Neill Blomkamp, this film once again proves that Hollywood seems to come up a little short when it comes to giving audiences great Sci-Fi in the theatre.

While ‘District 9’ was a surprise hit in August of 2009 and went on to receive an Oscar nomination for Best Picture, ‘Elysium’ tries to be bigger and falls short, and I think that falls onto the use of CGI and the Hollywood-ization of what could have been a great story.

As I watch more and more films, and am becoming more aware of what is going on in them, little things begin to stand out to me, and that has never really been more prevalent than in ‘Elysium’ when they show a scene of Matt Damon’s character’s ankle bracelet, and we see that he is wearing what appears to be a brand new pair of black Adidas running shoes.  How, in a dystopian environment 140 years into the future, a pair of Adidas running shoes still exists is beyond me, but I will tell you, this part deeply upset me and has dampened the film as well.

‘Elysium’ tries hard to be a more action oriented film but also retain the thought provoking nature of ‘District 9’ with the health care story that it carries, but it struggles to combine the two into one coherent arc.

In the end, I don’t see ‘Elysium’ matching what ‘District 9’ did at the box office, and that falls down to this movie trying to be big and too ambitious, much the trait of Hollywood today, instead of relying more on story telling and featuring something new.  In a summer of huge hit and miss films, Sony now has four $100 million plus misses on the books, and that is something that someone should take a good, long look at.

For all this and more, feel free to follow me on Twitter at @kymayer.  Cheers.