While I haven’t seen all of the Coen Brothers films, and amongst those are some of their best, something just intrigued me about ‘Hail, Caesar!’. Be it the top flight cast, the premise of the film, of just the overall silliness of the plot, it just pushed all right buttons for me.
Now, sometimes, films like ‘Hail, Caesar!’ take a while to find time to watch, and that is exactly what happened, but I finally found the time last evening, and it was well worth the wait. The Coen Brothers have crafted a film that takes on a satirical look at Hollywood during the 1950’s, from the Red Scare of American Communism, to protecting assets in an era when it was much easier to do so.
Be it big starts, like George Clooney, Scarlett Johansson or Channing Tatum taking on lesser roles that all help move the story along, of Josh Brolin dryly carrying the film, ‘Hail, Caesar’ is able to do all of this built on current Hollywood’s good will that the Coen’s have built up over the years.
Featuring film styles of the time, like Roman epics, dancing and singing musicals and the like, ‘Hail, Caesar’ takes a look into a not so typical 48 hours for main character Eddie Mannix as he fulfills his role of studio “fixer”, moving from set to set and playing both actors and media, doing his best to keep less than savory stories under wraps to ensure only good publicity for the fictional studio’s films and stars.
Loosely based on the real-life studio “fixer” Eddie Mannix, the film relates possible stories that Mannix helped clean up during the 1940’s and 1950’s for MGM. In the film, Mannix spends his days ensuring that fictional Capitol Pictures films proceed in order and on time (and also on budget), and that the actors and actresses in the employ of the Studio stay out of trouble, and failing that, out of the news whenever possible.
Josh Brolin is a very strong, central focal point to the story, and with a whisper of a 1950’s mustache, very much fits what one would expect the character of Eddie Mannix to look like. George Clooney with his Roman-esque short cropped hair, Channing Tatum with his dyed blond hair and Tilda Swinton in the duel roles of twin gossip columnists all fill out the early 1950’s the exact way that you would expect it to work, much to the strength of the film.
An irreverant, light hearted but dry comedy, ‘Hail, Caesar’ pokes fun at Hollywood’s under belly from the 1950’s and should always be viewed as one of the strongest films from the Coen Brothers and a great way to get a glimpse of what the film industry looked like sixty years ago. A definite recommend from myself to anyone out there.
As always, for all this and more, feel free to follow me on Twitter at @kymayer. Looks for more to come soon. Cheers for today.